Blackmore in 1977
Few know that Ritchie Blackmore, at the beginning of his career with the Deep Purple, played a 1961 Gibson ES-335, but, due to his passion for Jimi Hendrix, he started craving Stratocasters more and more. Ritchie bought his first Fender from Mick Turner, Eric Clapton’s roadie. «It wasn't very playable, that's why Clapton gave it to Mick. It was a Stratocaster body and a Telecaster neck», Ian Hansford, Deep Purples’ technician, declared.
From that moment Ritchie began playing exclusively Stratocaster, which he preferred for its more aggressive sound, although thought it more difficult to play: «I prefer the Stratocaster because it has a more "attacky" sound», Blackmore remembers in an interview with Martin Webb for Guitar Player in 1973.
«At first I couldn't get used to the Strat after the Gibson. The necks are quite different. But now I can't get used to the Gibson again. A Stratocaster is harder to play than a Gibson, too. I don't know why. I think it's because you can't race across a Strat's fingerboard so fast». Ritchie appreciated a lot Stratocaster tremolo: «I liked the way Hendrix used his tremelo, though I don't think I use it the same way. A lot of guitarist think that a tremelo arm is for someone who can't play a hand vibrato. But the tremelo arm gives a different vibrato all together. It affects whole chords. I can do the old hand vibrato just fine, but I like attacking the strings and getting all those sounds. You can get a lot of aggression out with a tremelo arm. I've got a Bigsby on my Gibson, and it's a wast, because it's got too much leeway. You have to pull it back a half-an- inch before it does a thing. But the vibrato on the Strat reacts immediately. As soon as you pull on it, the strings start going back».
From that moment Ritchie began playing exclusively Stratocaster, which he preferred for its more aggressive sound, although thought it more difficult to play: «I prefer the Stratocaster because it has a more "attacky" sound», Blackmore remembers in an interview with Martin Webb for Guitar Player in 1973.
«At first I couldn't get used to the Strat after the Gibson. The necks are quite different. But now I can't get used to the Gibson again. A Stratocaster is harder to play than a Gibson, too. I don't know why. I think it's because you can't race across a Strat's fingerboard so fast». Ritchie appreciated a lot Stratocaster tremolo: «I liked the way Hendrix used his tremelo, though I don't think I use it the same way. A lot of guitarist think that a tremelo arm is for someone who can't play a hand vibrato. But the tremelo arm gives a different vibrato all together. It affects whole chords. I can do the old hand vibrato just fine, but I like attacking the strings and getting all those sounds. You can get a lot of aggression out with a tremelo arm. I've got a Bigsby on my Gibson, and it's a wast, because it's got too much leeway. You have to pull it back a half-an- inch before it does a thing. But the vibrato on the Strat reacts immediately. As soon as you pull on it, the strings start going back».
Blackmore made in Japan
Ritchie Blackmore used to modify his Stratocasters, smoothing the wood surface between the frets to obtain a scalloped effect and lowering completely the central pickup as it hindered his right hand.
For this reason his first signature, the Ritchie Blackmore Stratocaster (made in Japan), made in a limited edition of 383 units, all fabricated in 1997, featured a custom scalloped fretboard with twenty-one frets, only two Seymour Duncan Quarter Pound pickups at the bridge and at the neck, and a dummy cover in the mid position. It was a ’70 style guitar with big headstock, bullet truss rod, 3-bolt neck plate with micro tilt and, like most MIJs, featured a basswood body.
For this reason his first signature, the Ritchie Blackmore Stratocaster (made in Japan), made in a limited edition of 383 units, all fabricated in 1997, featured a custom scalloped fretboard with twenty-one frets, only two Seymour Duncan Quarter Pound pickups at the bridge and at the neck, and a dummy cover in the mid position. It was a ’70 style guitar with big headstock, bullet truss rod, 3-bolt neck plate with micro tilt and, like most MIJs, featured a basswood body.
The Blackmore Strat made in Japan
Blackmore made in Mexico
Just over ten years later, also Ensenada factory started the production of the Deep Purple guitarist’s signature, the Ritchie Blackmore Stratocaster (made in Mexico), unveiled in 2009. It, too, was a guitar based on the Stratocasters of the '70s, with big headstock, bullet truss rod and 3-bolt neck plate with micro tilt, but it was slightly different from the MIJ signature. In fact it featured an alder body, the profile was U-shaped (not special oval shape like the Japanese one) and the six screws bridge had vintage saddles instead of those CBS style of the made in Japan. Also the Mexican model had a dummy cover at the central position, while the other two pickups were Seymour Duncan Quarter Pound Flat SSL-4.
The twenty-one frets fretboard was graduated scalloped, different from that of the Malmsteen whose frets were dug symmetrically: in fact, Blackmore frets had an asymmetrical and gradual scalloping, that accentuated going down towards the treble E string and approaching the end of the fret.
But these were not the only Blackmore strats made by Fender.
The twenty-one frets fretboard was graduated scalloped, different from that of the Malmsteen whose frets were dug symmetrically: in fact, Blackmore frets had an asymmetrical and gradual scalloping, that accentuated going down towards the treble E string and approaching the end of the fret.
But these were not the only Blackmore strats made by Fender.
Blackmore Strat made in Mexico
The "graduated scalopped" fretboard
Custom Shop Models
The Custom Shop Ritchie Blackmore Signature Stratocasterwas a very particular guitar: besides being a set neck strat, it featured only two pickups, at the bridge and at the neck, both Lace Sensor Gold. The guitar appeared already in 1998, but was officially in production between 1999 and 2004.
It featured light premium ash body, a custom oval shape neck with a twenty-two frets custom scalloped fretboard, a bullet truss rod, the Fender/Schaller Deluxe Cast/Sealed Locking Tuning Machines, a 2-point tremolo with block saddles and the guitarist’s signature on the headstock.
The three-way selector allowed to activate at the same time the pickup at the bridge and that at the neck. On demand, the Ritchie Blackmore Signature Roland Ready Stratocaster version was available, equipped with a Special Design Roland GK-2A additional pickup which turned the guitar into a synth controller.
It featured light premium ash body, a custom oval shape neck with a twenty-two frets custom scalloped fretboard, a bullet truss rod, the Fender/Schaller Deluxe Cast/Sealed Locking Tuning Machines, a 2-point tremolo with block saddles and the guitarist’s signature on the headstock.
The three-way selector allowed to activate at the same time the pickup at the bridge and that at the neck. On demand, the Ritchie Blackmore Signature Roland Ready Stratocaster version was available, equipped with a Special Design Roland GK-2A additional pickup which turned the guitar into a synth controller.
The Custom Shop Signature and the additional pickup Special Design Roland GK-2A
The 30 Set Neck Ritchie Blackmore Stratocaster mustn’t be forgotten too. Made by the Japanese Custom Shop only for the domestic market, they were identical to the versions of the American Custom Shop, but stood out for the presence of a vintage style, not 2-pivot, bridge.
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Japanese Custom Shop model (Courtesy of vintageandrare)
In 2013 Custom Shop unveiled the limited edition Ritchie Blackmore 1969 Light Relic Stratocaster, replica of the historical black Fender with which the Deep Purple guitarist played in the early '70s and recorded the album Machine Head and the riff of Smoke on the water.
The guitar featured a light relic nitro finished two pieces alder body, a U shaped maple neck and 7.5" fretboard equipped with twenty-one medium jumbo frets. The Custom 1969 pickups, hand wound by Abigail Ybarra, were controlled by a three-way switch. The guitar was equipped with Fender/Schaller "F" Keys tuning machines, a 4-bolt neck plate with the serial number and the “F” of Fender engraved and featured a vintage style bridge with ¼" custom tipless tremolo arm, just as the Deep Purple guitarist liked. On the back of the headstock the Custom Shop logo with “Tribute Series” decal stood out.
The guitar featured a light relic nitro finished two pieces alder body, a U shaped maple neck and 7.5" fretboard equipped with twenty-one medium jumbo frets. The Custom 1969 pickups, hand wound by Abigail Ybarra, were controlled by a three-way switch. The guitar was equipped with Fender/Schaller "F" Keys tuning machines, a 4-bolt neck plate with the serial number and the “F” of Fender engraved and featured a vintage style bridge with ¼" custom tipless tremolo arm, just as the Deep Purple guitarist liked. On the back of the headstock the Custom Shop logo with “Tribute Series” decal stood out.
Antonio Calvosa
Special thanks to Mauro Fortunelli
Special thanks to Mauro Fortunelli
The Ritchie Blackmore Tribute 1969 Light Relic Stratocaster
