Blackmore in 1977
Few know that Ritchie Blackmore, at the beginning of his career with the Deep Purple, played a 1961 Gibson ES-335, but, due to his passion for Jimi Hendrix, he started craving Stratocasters more and more.
Ritchie bought his first Fender from Mick Turner, Eric Clapton’s roadie. “It wasn't very playable, that's why Clapton gave it to Mick. It was a Stratocaster body and a Telecaster neck”, Ian Hansford, Deep Purples’ technician, declared. From that moment Ritchie began playing Stratocasters exclusively, which he preferred for its more aggressive sound, although thought it more difficult to play: “I prefer the Stratocaster because it has a more "attacky" sound,” Blackmore recounted in an interview with Martin Webb for Guitar Player in 1973. “At first I couldn't get used to the Strat after the Gibson. The necks are quite different. But now I can't get used to the Gibson again. A Stratocaster is harder to play than a Gibson, too. I don't know why. I think it's because you can't race across a Strat's fingerboard so fast”. Ritchie had a lot of appreciation for the Stratocaster tremolo: “I liked the way Hendrix used his tremelo, though I don't think I use it the same way. A lot of guitarists think that a tremelo arm is for someone who can't play a hand vibrato. But the tremelo arm gives a different vibrato all together. It affects whole chords. I can do the old hand vibrato just fine, but I like attacking the strings and getting all those sounds. You can get a lot of aggression out with a tremelo arm. I've got a Bigsby on my Gibson, and it's a waste, because it's got too much leeway. You have to pull it back a half-an- inch before it does a thing. But the vibrato on the Strat reacts immediately. As soon as you pull on it, the strings start going back.”
Ritchie bought his first Fender from Mick Turner, Eric Clapton’s roadie. “It wasn't very playable, that's why Clapton gave it to Mick. It was a Stratocaster body and a Telecaster neck”, Ian Hansford, Deep Purples’ technician, declared. From that moment Ritchie began playing Stratocasters exclusively, which he preferred for its more aggressive sound, although thought it more difficult to play: “I prefer the Stratocaster because it has a more "attacky" sound,” Blackmore recounted in an interview with Martin Webb for Guitar Player in 1973. “At first I couldn't get used to the Strat after the Gibson. The necks are quite different. But now I can't get used to the Gibson again. A Stratocaster is harder to play than a Gibson, too. I don't know why. I think it's because you can't race across a Strat's fingerboard so fast”. Ritchie had a lot of appreciation for the Stratocaster tremolo: “I liked the way Hendrix used his tremelo, though I don't think I use it the same way. A lot of guitarists think that a tremelo arm is for someone who can't play a hand vibrato. But the tremelo arm gives a different vibrato all together. It affects whole chords. I can do the old hand vibrato just fine, but I like attacking the strings and getting all those sounds. You can get a lot of aggression out with a tremelo arm. I've got a Bigsby on my Gibson, and it's a waste, because it's got too much leeway. You have to pull it back a half-an- inch before it does a thing. But the vibrato on the Strat reacts immediately. As soon as you pull on it, the strings start going back.”
Blackmore made in Japan
Blackmore used to modify his Stratocasters, smoothing the wood surface between the frets to obtain a scalloped effect and lowering completely the central pickup as it hindered his right hand. For this reason his first signature, the Japanese Ritchie Blackmore Stratocaster (ST72-145RB) featured a custom scalloped fretboard with twenty-one frets, only two Seymour Duncan Quarter Pound pickups at the bridge and at the neck, and a dummy cover in the mid position. It was a ’70 style guitar with big headstock, bullet truss rod, 3-bolt neck plate with micro tilt and, like most MIJs, featured a basswood body.
This guitar was available from 1997 to 2004 on the Japanese domestic market, but it was also exported in 1997 to the Western market in a limited edition of 383 units.
It is interesting to note that another Stratocaster with scalloped fretboards but without Blackmore’s signature on the headstock was made in Japan between 1994 and 1996 for the domestic market only, the model ST72-85SC. This guitar was usually dubbed Blackmore pre-signature Stratocaster and featured the new ST-HR7 pickups, designed to visually echo Duncan Quarter Pounds.
This guitar was available from 1997 to 2004 on the Japanese domestic market, but it was also exported in 1997 to the Western market in a limited edition of 383 units.
It is interesting to note that another Stratocaster with scalloped fretboards but without Blackmore’s signature on the headstock was made in Japan between 1994 and 1996 for the domestic market only, the model ST72-85SC. This guitar was usually dubbed Blackmore pre-signature Stratocaster and featured the new ST-HR7 pickups, designed to visually echo Duncan Quarter Pounds.
Blackmore made in Mexico
Just over ten years later, the Ensenada factory also started producing the Deep Purple guitarist’s signature, the Ritchie Blackmore Stratocaster (made in Mexico), unveiled in 2009. It, too, was a guitar based on the Stratocasters of the '70s, with big headstock, bullet truss rod and 3-bolt neck plate with micro tilt, but it was slightly different from the MIJ signature. In fact it featured an alder body, the profile was U-shaped (not the special oval shape like the Japanese one) and the six screw bridge had vintage saddles instead of the CBS style used for the made in Japan. The Mexican model also had a dummy cover at the central position, while the other two pickups were Seymour Duncan Quarter Pound Flat SSL-4. The twenty-one fret fretboard was graduated scalloped, differering from that of the Malmsteen whose frets were dug symmetrically. In fact, Blackmore frets had an asymmetrical and gradual scalloping, that accentuated going down towards the treble E string and approaching the end of the fret.
But these were not the only Blackmore strats made by Fender.
But these were not the only Blackmore strats made by Fender.
Blackmore Strat made in Mexico
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The "graduated scalopped" fretboard
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Custom Shop Models
The Custom Shop Ritchie Blackmore Signature Stratocaster was a very particular guitar: besides being a set neck strat, it featured only two pickups, at the bridge and at the neck, both Gold Lace Sensors. The guitar had appeared already in 1998, but was officially in production between 1999 and 2004. It featured light premium ash body, a custom oval shape neck with a twenty-two fret custom scalloped fretboard, a bullet truss rod, the Fender/Schaller Deluxe Cast/Sealed Locking Tuning Machines, a 2-point tremolo with block saddles and the guitarist’s signature on the headstock.
The three-way selector the option of using the neck and bridge pickups together. On demand, the Ritchie Blackmore Signature Roland Ready Stratocaster version was available, equipped with a Special Design Roland GK-2A additional pickup which turned the guitar into a synth controller.
The three-way selector the option of using the neck and bridge pickups together. On demand, the Ritchie Blackmore Signature Roland Ready Stratocaster version was available, equipped with a Special Design Roland GK-2A additional pickup which turned the guitar into a synth controller.
The Set Neck ST72-175RB mustn’t be forgotten too. Made in Japan only for the domestic market, it was identical to the version of the American Custom Shop, but stood out for the presence of a vintage style, not 2-pivot, bridge, and for the flatter fretboard.
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On the right, the Japanese set-neck model (Courtesy of vintageandrare)
In 2013 Custom Shop unveiled the limited edition Ritchie Blackmore 1969 Light Relic Stratocaster, replica of the historical black Fender with which the Deep Purple guitarist played in the early '70s and recorded the album Machine Head and the riff of Smoke on the water.
The guitar featured a light relic nitro finished two piece alder body, a U shaped maple neck and 7.5" fretboard equipped with twenty-one medium jumbo frets. The Custom 1969 pickups, hand wound by Abigail Ybarra, were controlled by a three-way switch. The guitar was equipped with Fender/Schaller "F" Keys tuning machines, a 4-bolt neck plate with the serial number and the “F” of Fender engraved and featured a vintage style bridge with ¼" custom tipless tremolo arm, just as the Deep Purple guitarist liked. On the back of the headstock the Custom Shop logo with “Tribute Series” decal stood out.
The guitar featured a light relic nitro finished two piece alder body, a U shaped maple neck and 7.5" fretboard equipped with twenty-one medium jumbo frets. The Custom 1969 pickups, hand wound by Abigail Ybarra, were controlled by a three-way switch. The guitar was equipped with Fender/Schaller "F" Keys tuning machines, a 4-bolt neck plate with the serial number and the “F” of Fender engraved and featured a vintage style bridge with ¼" custom tipless tremolo arm, just as the Deep Purple guitarist liked. On the back of the headstock the Custom Shop logo with “Tribute Series” decal stood out.
Antonio Calvosa
Special thanks to Mauro Fortunelli
Special thanks to Mauro Fortunelli
The Ritchie Blackmore Tribute 1969 Light Relic Stratocaster
