Classic Series
Classic Series 1999 Advert
In 1999 the cheap made in Mexico Classic Series, destined to a success far beyond expectations, whose guitars resumed the main features of the '50s, '60s and '70s, took the place of the Japanese Collectables.
The '50s Stratocaster, '60s Stratocaster and '70s Stratocaster had all pickups in Alnico with staggered poles, vintage style bridges (also the '70s had bent steel saddles), very curved fretboards (7.25 inches) and vintage style frets. 4-bolt neck plate, small headstock with Spaghetti Logo for the '50s and '60s; 3-bolt neck plate, big headstock with Black CBS Logo and bullet truss rod, obviously, for the '70s.
The '70s had an ash body, while the '50s and '60s exhibited a poplar one until mid 2002, when it was replaced by alder (already used for the sunburst finish).
In the summer of 2013 the polyester finished Classic Stratocaster was joined by the nitro finished '50s Stratocaster Lacquer and '60s Stratocaster Lacquer.
Also in the Classic Series, like in other Mexican series, rosewood was replaced by pau ferro in mid 2017, as a consequence of the more restrictive rules imposed by CITES.
The '50s Stratocaster, '60s Stratocaster and '70s Stratocaster had all pickups in Alnico with staggered poles, vintage style bridges (also the '70s had bent steel saddles), very curved fretboards (7.25 inches) and vintage style frets. 4-bolt neck plate, small headstock with Spaghetti Logo for the '50s and '60s; 3-bolt neck plate, big headstock with Black CBS Logo and bullet truss rod, obviously, for the '70s.
The '70s had an ash body, while the '50s and '60s exhibited a poplar one until mid 2002, when it was replaced by alder (already used for the sunburst finish).
In the summer of 2013 the polyester finished Classic Stratocaster was joined by the nitro finished '50s Stratocaster Lacquer and '60s Stratocaster Lacquer.
Also in the Classic Series, like in other Mexican series, rosewood was replaced by pau ferro in mid 2017, as a consequence of the more restrictive rules imposed by CITES.
Classic Player Series
In 2006 Fender introduced the Classic Player '50s Stratocaster and the Classic Player '60s Stratocaster: this Mexican series, drawing from Custom shop know how, was inspired by the vintage Stratocasters, to which Fender added a pinch of modernity: larger frets, almost flat fretboard, and a 2-point bridge with vintage style saddles.
Original ’57/’62 single coils (central reverse wound/reverse polarity to reduce the hum) and vintage style locking tuners tuning machines stood out on the '50s. The '60s mounted Custom '69 Single-Coil Strat Pickups with Grey Bobbins; these pickups had the same specs and were fabricated using the same materials of the Custom Shop ’69 pickups, but weren’t built, like these, in the Custom Shop. The pickups of the first Classic Player ’60 were usually dated by hand and “AY” signed, but weren’t hand-wound by Abigail Ybarra. In both the guitars the pickups were controlled through a special five-way switch that allowed to use the combination neck/bridge in the position 4.
This series made a lot of confusion because of the neck plate’s engraving "Custom Shop Designed", which led many inexperienced guitarists to believe that they had in their hands a Custom Shop guitar... made in Mexico! Indeed the Classic Player Custom Shop just existed (1998-2005), but it was a completely different guitar.
Original ’57/’62 single coils (central reverse wound/reverse polarity to reduce the hum) and vintage style locking tuners tuning machines stood out on the '50s. The '60s mounted Custom '69 Single-Coil Strat Pickups with Grey Bobbins; these pickups had the same specs and were fabricated using the same materials of the Custom Shop ’69 pickups, but weren’t built, like these, in the Custom Shop. The pickups of the first Classic Player ’60 were usually dated by hand and “AY” signed, but weren’t hand-wound by Abigail Ybarra. In both the guitars the pickups were controlled through a special five-way switch that allowed to use the combination neck/bridge in the position 4.
This series made a lot of confusion because of the neck plate’s engraving "Custom Shop Designed", which led many inexperienced guitarists to believe that they had in their hands a Custom Shop guitar... made in Mexico! Indeed the Classic Player Custom Shop just existed (1998-2005), but it was a completely different guitar.
"Custom Shop Designed" neck that led a lot of confusion
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Early Custom '69 Single-Coil Strat Pickup with Grey Bobbins: it's not the Custom Shop '69 and it's not hand-wound by Abigail Ybarra, depite the "AY" signed
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Road Worn Series
Always in the wake of the vintage, in 2009 Fender unveiled the Road Worn Series, composed by the Road Worn '50s and the Road Worn '60s Stratocaster, cheap versions of the “relic” custom shop counterparts, but well done anyway: nitrocellulose finish (without poly undercoat), 6105 frets, three Tex-Mex pickups and aged plastic. «Beaten, bruised and even burned», as it was written in the Fender catalog.
Between 2011 and 2012 Fender also made the Road Worn Player which, as the name says, were more “player-friendly” and closer to the needs of the guitarists. While maintaining a lived-in look, they had a flatter fretboard and a thinner neck. The HSS model mounted two Texas Special single coils and an humbucking pickup Seymour Duncan Pearly Gates Plus.
Between 2011 and 2012 Fender also made the Road Worn Player which, as the name says, were more “player-friendly” and closer to the needs of the guitarists. While maintaining a lived-in look, they had a flatter fretboard and a thinner neck. The HSS model mounted two Texas Special single coils and an humbucking pickup Seymour Duncan Pearly Gates Plus.
Fender Road Worn Stratocaster expo
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Vintera Series
Christone Kingfish and Vintera Stratocaster, 2019 advert
In the summer of 2019 the Vintera Series, whose name probably referred to the “vintage style for modern era” motto, took the place of the Classic and Classic Player ones, by entering the made in Mexico Stratocasters catalog with low-cost models that resumed the main features of the '50s, '60s and '70s, reproducing classic finishes and historically correct necks.
These guitars were joined by the Vintera Modified models, available in the '50s and '60s, versions, closer to the needs of the guitarists thanks to the Modern “C” contoured necks, fretboards with 9.5-inch radius and medium jumbo frets to which were added new tone possibilities, as the S-1 switch allowed to activate the neck pickup in positions 1 and 2. Pickups had been redesigned by Tim Show by resuming the peculiar tone features of the respective reference periods, while those of the Modified versions had been changed to get a higher output.
These guitars were joined by the Vintera Modified models, available in the '50s and '60s, versions, closer to the needs of the guitarists thanks to the Modern “C” contoured necks, fretboards with 9.5-inch radius and medium jumbo frets to which were added new tone possibilities, as the S-1 switch allowed to activate the neck pickup in positions 1 and 2. Pickups had been redesigned by Tim Show by resuming the peculiar tone features of the respective reference periods, while those of the Modified versions had been changed to get a higher output.
Antonio Calvosa
